During the process of revising the ceremonial system, the Song Dynasty advocated retrospection and examined the ceremony system of the pre-Qin period. In the early years of Emperor Huizong's Grand View (AD 1107), he set up the “Academic Affairs Bureau to plead with the ancient artifacts of the world, and more to honor the princes, princes, dings, and ancestors†(“Song Shi Li Zhi IIâ€). It marks the beginning of the official large-scale imitation of bronze wares in the Song Dynasty.
Due to the imperial court’s “pleading for the ancient artifactsâ€, the tombs in the country were excavated and the bronze wares of the Shang and Zhou Dynasty were increasingly unearthed. The newly discovered ancient bronze wares did not fully enter the court and flowed into a large number of private collections, resulting in the legalization of the bronze ware trade and the emergence of the antiquities market.
Huizong Song began mass imitation of bronze ware for royal ceremonial activities and court performances. Due to years of war, this part of the official imitation bronze was mostly destroyed. "Dazhao Zhong", "Government and Ding", and "Xuanhe Three-year Respect" are survivors.
“Dazhao Zhong†is the new bell of Song Huizong’s system—the bell of Le Dalai. The chimes were made by the “Musical Instrument Manufacturing†and “Lashui Affairs Division†set up by Song Huizong in the 4th year of Chongning (AD 1105). As an important musical instrument in the re-enactment of “New Music†by Emperor Huizong, “Daqiong Zhong†was played in the Three Years (1113 AD). In the second year of Jingkang (AD 1127), Jin Bing was robbed to the north, and part of it was used by the Jin Jiao Temple community. Jin Ren thought that “the music of different generations was named after each other. Go, make it more famous." So "it is to take great music and the same meaning as the earth" and change the "Dahe." There are more than ten kinds of “Daqiong†and “Daihe†clocks now stored in museums at home and abroad. ˉ
The "Odachi Clock" is an oval tube-shaped music clock, Ssangyong button, and a body decoration. The front has a "big cockroach" and the back is cast with a legal name. Its production is very delicate, which is beyond the scope of ordinary imitation bronzeware. Apart from the cost of the official imitation device, it was also related to the ancient bell that had been unearthed at the time when the rhythm of music and casting was studied. The "Double Bell" was modeled after a newly-discovered Chunqiu Bell.
Huizong dynasty's three generations of long-living fun, not only need antique musical instruments, but also need antique containers. The "political harmony" of the cast, on behalf of the height of the dynasty of the dynasty, the antique capabilities of the Shang Dynasty. It is a three-legged abdomen. The ear of the device is on the rim, which is different from the ear attached to it since the spring and autumn. Its shape is popular in the late Shang Dynasty to early Western Zhou Dynasty. The ornamentation is a highly embossed animal face pattern, with a moire pattern as the bottom, and there are ridges and ridges between the three groups of ornamentation, which is also common in the later period of business. Based on the above-mentioned styles and characteristics, it is believed that when the “politics and triumphalism†was being modeled, it was very likely that there was a copy of the final stage of the Shang Dynasty. It was only in the aspect of ornamentation that because of the retro style, it could not help but show restraint.
Due to the imperial court’s “pleading for the ancient artifactsâ€, the tombs in the country were excavated and the bronze wares of the Shang and Zhou Dynasty were increasingly unearthed. The newly discovered ancient bronze wares did not fully enter the court and flowed into a large number of private collections, resulting in the legalization of the bronze ware trade and the emergence of the antiquities market.
Huizong Song began mass imitation of bronze ware for royal ceremonial activities and court performances. Due to years of war, this part of the official imitation bronze was mostly destroyed. "Dazhao Zhong", "Government and Ding", and "Xuanhe Three-year Respect" are survivors.
“Dazhao Zhong†is the new bell of Song Huizong’s system—the bell of Le Dalai. The chimes were made by the “Musical Instrument Manufacturing†and “Lashui Affairs Division†set up by Song Huizong in the 4th year of Chongning (AD 1105). As an important musical instrument in the re-enactment of “New Music†by Emperor Huizong, “Daqiong Zhong†was played in the Three Years (1113 AD). In the second year of Jingkang (AD 1127), Jin Bing was robbed to the north, and part of it was used by the Jin Jiao Temple community. Jin Ren thought that “the music of different generations was named after each other. Go, make it more famous." So "it is to take great music and the same meaning as the earth" and change the "Dahe." There are more than ten kinds of “Daqiong†and “Daihe†clocks now stored in museums at home and abroad. ˉ
The "Odachi Clock" is an oval tube-shaped music clock, Ssangyong button, and a body decoration. The front has a "big cockroach" and the back is cast with a legal name. Its production is very delicate, which is beyond the scope of ordinary imitation bronzeware. Apart from the cost of the official imitation device, it was also related to the ancient bell that had been unearthed at the time when the rhythm of music and casting was studied. The "Double Bell" was modeled after a newly-discovered Chunqiu Bell.
Huizong dynasty's three generations of long-living fun, not only need antique musical instruments, but also need antique containers. The "political harmony" of the cast, on behalf of the height of the dynasty of the dynasty, the antique capabilities of the Shang Dynasty. It is a three-legged abdomen. The ear of the device is on the rim, which is different from the ear attached to it since the spring and autumn. Its shape is popular in the late Shang Dynasty to early Western Zhou Dynasty. The ornamentation is a highly embossed animal face pattern, with a moire pattern as the bottom, and there are ridges and ridges between the three groups of ornamentation, which is also common in the later period of business. Based on the above-mentioned styles and characteristics, it is believed that when the “politics and triumphalism†was being modeled, it was very likely that there was a copy of the final stage of the Shang Dynasty. It was only in the aspect of ornamentation that because of the retro style, it could not help but show restraint.
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