Jade Archaeology in the Tang Dynasty: Hu Feng frequently crossed Yumenguan

First cup of agate beast

He graduated from the Department of Archaeology of Peking University in 1989. He was the dean of the Liangzhu Museum in Zhejiang Province. He is currently a council member of the Jadeware Professional Committee of the Chinese Cultural Relics Society, an expert member of the Chinese Jade Culture Center, and a member of the Zhejiang Provincial Cultural Relics Appraisal Committee.

The Tang Dynasty’s national strength was prosperous, and the ruler’s broad-mindedness in the world’s minds, culturally confident, open and inclusive mentality, led to “Wanbang to the DPRK, the tribute to the sacred land”, in the field of arts and crafts such as jade, gold and silver, and everywhere, blowing fresh The field is coming from the wind. All kinds of extraterritorial styles, or self-innovation and renewal based on the absorption and integration of extra-territorial elements, have become the new normal in the field of traditional crafts.

According to the statistics of Mr. Deng Shuping, in the literature, the Tang Dynasty was introduced into the jade articles of the Central Plains by the Western Region (including Persia in Central Asia and West Asia). There were 12 407 pieces (the actual number should be much larger than this number). Compared with the large-scale objects, there are various types of jade belts, jade belts, jade, jade, jade, jade and so on. Among the archaeological unearthed Tang Dynasty jade articles, some of the instruments and shapes are not inherent in Chinese tradition, and some of the ornamentation and decoration are full of exotic atmospheres. Some techniques and techniques are obviously different from Chinese traditions. Therefore, some of them are very It may be imported goods imported directly from outside the domain, and some are products of Chinese jade workers imitating Western-style gold and silverware or jade carvings.

The typical imported products include the “bone jade belt” from the Western Region’s bones and unearthed in Hejia Village, and the inlaid gold silk white jade pergated from the Daming Palace site. Bai Yupei's inlaid gold silk pattern is a symmetrical round-wrapped flower. Its pattern style, mosaic technique and the method of filling the black on the gold silk pattern have typical western characteristics. However, the details of the jade hole damage gold silk pattern show that it has also been restructured by the hands of Chinese jade workers. However, the place of production can be clearly defined as the jade of the Western Region. After all, it is still very rare. Most of them have western-style jade articles, and identity certification is still controversial. The eight-curved Lonicera long-legged cup unearthed in Hejiacun is considered a Persian product by Western scholars, and domestic scholars believe that it is the work of the Central Plains Yugong imitation Persian silverware. Jade articles with similar controversy, only unearthed in the Hejia Village, there are the first cup of agate beast, the eight-curved sea-faced long noodle cup, the long oval agate cup, the inlaid gold jade armor, and the gold jade arm. Among them, the first cup of agate beast, the material, shape and crafts are all unique. The overall shape is curved, the small end is carved into an antelope head (also considered to be a bull's head), and the mouth and nose are equipped with a detachable cage-shaped gold cap. It is closely related to a special shape of the "communication" cup popular in the Western Region. Some scholars regard it as an imported product of the Western Region, but Mr. Sun Ji studied it as a Chinese artisan in the early 8th century.

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